Bay of Fires + Freycinet • Tasmania (TAS)

Tasmania East Coast Photography Workshop (TAS)

Small-group coastal workshop built for photographers who want stronger seascapes fast: lichen-covered granite at first light, turquoise bays, long-exposure water, and the Hazards at sunset. Night-sky technique is taught in a conditions-led way that respects access rules and approvals.

Workshop at a glance
Location Bay of Fires + Freycinet, TAS (loop via Launceston)
Timing 11–15 Feb 2027 · 5 days / 4 nights
Group size Small, intimate group
Investment AU$3,950
Deposit AU$750 secures your place
Includes Accommodation, airport transfers, workshop transport + daily editing sessions
Status Priority List open

Leave with a repeatable long-exposure setup (tripod discipline, shutter choices, clean files) and a practical Lightroom workflow you can repeat on your next coast.

Note: specific locations and session timing are always subject to conditions, access, approvals and safety. Follow signage and on-site guidance.

Who this is for

  • Keen beginners to advanced photographers who want cleaner coastal results and better decision-making in the field
  • Anyone who wants long exposures that look intentional (not muddy) with a repeatable method
  • Photographers who prefer calm coaching in a genuinely small group

Not the right fit if…

  • You need guaranteed night-sky sessions regardless of access, cloud or safety
  • You're not comfortable moving on uneven terrain in low light
  • You prefer “trophy hunting” locations over learning the craft and ethics of coastal composition

What you'll shoot

  • Bay of Fires: lichen-covered granite, turquoise bays, surf motion, texture studies
  • Freycinet: the Hazards at golden hour, coastal lookouts, coves, clean silhouettes
  • Long exposures: shutter choices that match swell + wave energy
  • Night technique (conditions-led): taught in a way that respects access rules and approvals

What's included

  • Small-group tuition with guided sunrise/sunset field sessions
  • Accommodation included across the workshop
  • Launceston Airport transfers + in-workshop transport between accommodation and locations
  • Daily editing sessions (review, workflow, and finishing)
  • 11-video editing bundle post-workshop (value AU$297)
  • Free gear advice (before and after the workshop)
  • Access to discounts on genuine Nikon products plus NiSi / Leofoto

Not included

  • Flights to/from Launceston (LST)
  • Meals and personal expenses (unless provided by accommodation)
  • Personal travel insurance (recommended)
  • Adobe subscriptions (Lightroom/Photoshop)

Payment + cancellation

  • AU$750 deposit secures your place
  • Remaining balance due 60 days before the workshop start date
  • Payment plans available (instalments available on request)

Cancellation policy (locked)

60+ days before start: refund of monies paid less $100 admin fee
30–59 days: 50% refund of monies paid
Under 30 days: no refund unless seat is filled; if filled, refund less $100 admin fee
ACL rights apply regardless
Full policy: dylanknight.com.au/cancellation-policy

Accommodation + transport

  • Fly in/out Launceston (LST)
  • Airport transfers included
  • Workshop transport included between accommodation and shoot locations
  • Route plan: Launceston → Bay of Fires (St Helens / Binalong Bay) → Freycinet (Coles Bay) → Launceston

Night + after-hours approach (ethical + conditions-led)

All after-hours and night locations are subject to Tasmanian Parks and Wildlife Service discretion and approval.

Where night access is prohibited at a site, we'll shoot during twilight and teach ethical blending techniques for Milky Way landscapes, using sky captures from permitted locations and foregrounds captured safely in low light.

Why February? This workshop is timed around the new moon to give us the darkest possible skies for Milky Way core work. Aurora Australis and airglow are never guaranteed, but the timing maximises our chances of clean sky colour when the atmosphere turns it on.

What past participants say

Real feedback from real workshops.

★★★★★

"Before the workshop, my approach was simple — just take the shot. Now it's all about planning, preparation, and waiting for the light. Understanding light as the most fundamental element of composition was the real revelation, along with the discipline of arriving early to set up properly. The total experience will exceed expectations."

— Jim I. · Sapphire Coast Workshop, March 2026
★★★★★

"I considered myself a capable photographer before the workshop, but it surprised me how much I still had to learn — and how quickly small adjustments improved my results. Dylan challenged me creatively and helped me produce a collection of images I'm truly proud of. You gain so much more than just photos — you leave with practical skills, creative direction, and genuine confidence."

— Rebecca C. · Kiama Workshop, February 2026
★★★★★

"Before the workshop, advanced techniques like exposure blending and shooting full manual felt out of reach. Three days on the Sapphire Coast changed that. I left not just with shots I'm genuinely proud of — particularly nailing slow water — but with a real understanding of why the process works. For anyone at an intermediate level sitting on the fence, I'd say do it."

— Peter J. · Sapphire Coast Workshop, March 2026
★★★★★

"Definitely worth it — expert tuition, incredible locations, and a great group of like-minded photographers in a genuinely fun atmosphere. My photography has noticeably improved since the workshop. I have a much better understanding of both capturing and processing shots. If you're sitting on the fence, just go."

— Ken P. · Kiama Workshop, February 2026
★★★★★

"Dylan brings a depth of knowledge and experience that's rare — but what sets him apart is his genuine willingness to share all of it. I learned an enormous amount over the workshop, yet never once felt overwhelmed. The pace was right, the instruction was clear, and every concept built on the last. I'd recommend this without hesitation and would sign up for another workshop in a heartbeat."

— Lyn A. · Noosa National Park Workshop, January 2026
★★★★★

"I've done quite a few workshops with Dylan now, and I keep coming back for good reason. The planning that goes into finding the right locations at the right time for the best light is exceptional — nothing is left to chance. And the Milky Way sessions? Absolutely fantastic. Dylan sets the bar high and consistently clears it."

— Terry M. · Repeat participant
Full Details & Itinerary

Logistics, locations, and how it runs

Exact session choices are conditions-led and aligned to access approvals.

Day 1 · Thu 11 Feb

Arrive Launceston → Bay of Fires base + sunset

Fly into Launceston and transfer to the St Helens / Binalong Bay area. Sunset session at a safe, accessible coastline option.

Day 2 · Fri 12 Feb

Bay of Fires sunrise + technique + sunset

Sunrise granite/lichen compositions. Daily editing session. Sunset at a different aspect for variety.

Day 3 · Sat 13 Feb

Bay of Fires → Coles Bay area + Hazards sunset

Transfer to the Coles Bay area. Sunset + blue hour for Hazards structure and silhouettes (access and safety dependent).

Day 4 · Sun 14 Feb

Freycinet options + daily editing

Sunrise session (conditions-led). Formed-track coastline options. Daily editing session to lock in your strongest set.

Day 5 · Mon 15 Feb

Final sunrise + wrap + return to Launceston

Final sunrise focused on your priority technique. Return transfer to Launceston for evening flights or onward travel.

Planned locations · Bay of Fires

  • The Gardens
  • Sloop Rock Lookout
  • Binalong Bay Beach
  • Binalong Bay National Whale Trail
  • Skeleton Point
  • Peron Dunes

We don't just shoot the icons; we explore the story. From the Whale Trail at Binalong Bay to the ancient granite of the Hazards, you'll learn to capture the story behind the scenery.

Final site usage is always subject to on-ground conditions and access approvals.

Planned locations · Freycinet

  • Coles Bay lookout options (where applicable)
  • Honeymoon Bay
  • Mount Amos lookout (conditions and fitness dependent)
  • Sleepy Bay
  • Wineglass Bay Beach
  • Wineglass Bay Lookout

If an option is unsuitable on the day, we pivot to a safer, approved alternative nearby.

Gear expectations

  • Camera with manual controls
  • Sturdy tripod (non-negotiable for long exposure)
  • Ideal lens range: wide-to-mid (e.g. 14–70mm)
  • Telephoto optional for compression and tighter Hazards compositions
  • Polariser/ND optional (helpful, not required)
  • Headtorch + spare batteries for early starts
  • Laptop recommended for daily editing sessions

Weather + conditions

This workshop is conditions-led. We plan around swell, wind, cloud, and safe access so you still get strong work without forcing a location.

FAQs

Direct answers before you book.

How much does it cost and what's the deposit?
AU$3,950 per person (flat rate).
A AU$750 deposit secures your place. The remaining balance is due 60 days before the workshop start date.
What's included after the workshop?
The 11-video editing bundle is included post-workshop (value AU$297), plus ongoing gear advice and access to Nikon / NiSi / Leofoto discounts.
Can I pay in instalments?
Yes. Payment plans available (instalments available on request), with the full balance paid before the workshop starts.
What experience level do I need?
Keen beginners through to advanced photographers are welcome. Manual mode is strongly recommended, and you'll need a tripod.
How fit do I need to be?
Moderate fitness is ideal. Expect formed tracks, stairs, sand, and uneven granite in low light. Any steep options are conditions-led with safer alternatives available.
Is astrophotography included?
Night-sky technique is taught in a conditions-led way that respects access rules and approvals. If night access is not permitted at a site, twilight foregrounds are used and ethical blending techniques are taught using permitted sky captures.
What happens if the weather or swell is bad?
We adapt to conditions and safe access. If swell, wind or weather makes a location unsafe or unsuitable, we pivot to a sheltered or higher-access option and keep the learning strong.
What gear should I bring?
A camera with manual controls, a sturdy tripod, and a wide-to-mid lens are the core. A telephoto and filters are optional. A headtorch is required for early starts and low-light movement.
Is accommodation or transport included?
Yes. Accommodation is included, along with Launceston Airport transfers and workshop transport between accommodation and shoot locations. Flights and meals are separate (unless provided by accommodation).
What's the cancellation / refund policy?
60+ days before start: refund of monies paid less $100 admin fee
30–59 days: 50% refund of monies paid
Under 30 days: no refund unless seat is filled; if filled, refund less $100 admin fee
ACL rights apply regardless
Full policy: dylanknight.com.au/cancellation-policy

Priority List open

Join for a 48-hour head start when bookings open (before the main mailing list and public release).

AU$3,950 AU$750 deposit 11–15 Feb 2027 Small intimate group Accommodation + transfers included Daily editing sessions